Working on prominent lines and combining strong foreground with a blurred, yet still informative background, I found new joy in wideangle perspectives. Of course I am curious if the partial unsharpness I deplored in my widangle images from Budapest and Krk is a problem of the lens – then I would be willing to replace it – or the photographer. If it’s, as I tend to assume now, the photographer, then I could assign the money set aside to replace it for a workshop, probably on the landscape subject.
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